監督・原作・脚本　矢口史靖　　音楽・ミッキー吉野　　主題歌・SHANTI　♪MP3リスト『Page.6』

♪ "HARD TIMES COME AGAIN NO MORE" (ハード・タイムス・カム・アゲイン・ノー・モア)(訳:「どぎつい生活はもういや!!」)

主演・小日向文世、深津絵里の電気消失で巻き起こる現代社会のドタバタ・コメディ！

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物語は約２年半に渡る。大規模停電の物語。SF想定ドラマ世界で、現代社会の人々の心の在り方を叩きのめす。

滑稽さ、愚かさ、惨めさ。やがて知る「食べ物に対する失礼さ」と「大切さ」と「大変さ」。

其処から、生き残る生存の為の、「サバイバル術」を身に着け、各自が苦境を乗り越えて逞しく成長していく姿が描かれている。

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社会の中では、仕事をして収入を得て、生活を営む。お店で欲しいものは売っている。今の世の中、ほぼ出来上がっている。

「食品・食材」を人々は購入して残りはゴミ。地方の「ケンミン生活習慣」による自己の「自立力での格差」に打ちのめされる。

「自分が常識なんだ」、が通用しない世界を通して。「経験や体験がその人の人生の知識として計上されて行く」。

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何故、乾電池・バッテリーまでも停止するのか。ラストで答えが出てくるのだけれど。ヒッチコック的に追求の必要はない。これで良い。

「このまま行けば、街は犯罪で危険に成る。鹿児島の実家に向おう。」　羽田空港はバリケード。　目指すは、東名高速道路。

物凄い人の数のハイウエイ。　此の作品の主題は「食べ物の有難さ」、「物々交換の相場性質」、「スマホの"強"依存症だった事」。

「居て当たり前なのにののしりばかりの生活気味だった事」、「生きる優先順位の変更」が描かれている。

特に妻役の深津絵里さんの存在感がよくありがちなを表現していたところも評価で出来た。

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後半での景色や風景は、昔サイン頂きました瀬川昌治監督の『喜劇・急行列車』『喜劇・団体列車』『喜劇・初詣列車』を思い出させてくれる

シーンや、チャールトン・ヘストンの『SF ソイレントグリーン』を思い出すシーン等も入っていた。　節目に懐かしい往年の総天然色も織り交ぜ、

スマートフォンを片手にしていた若者たち、ラストで成長して行く。趣味が出来。特技が将来の方向を照らしてくれた。

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矢口監督コメディドラマは、編集長の私をかつて業界にスカウトしてくれた事のある古沢監督や、その後の瀬川監督の喜劇作同様に

噛めば噛むほど味わい深いスルメイカの表現の様に楽しみに出来る巨匠に成ったと断言出来る。

此の作品も現代社会へのジャック・タチ的な秀作・社会風刺コメディに仕上げられている。また観たく成る作品でした。

是非、お近くの劇場で御覧下さい。

P.S.

オークション高額もの・幻のサントラ音源・入手困難音源と、「映画音楽集ＬＰ」の曲ほぼ全て、本当の本物サントラ音源で

『シネマエッグ推薦パソコンMP3ダウンロード楽曲・推薦サントラリスト』

−編集長・翻訳と記−

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♪ "HARD TIMES COME AGAIN NO MORE" (a song from the motion picture)

♪LIST OF SOUNDTRACK MP3 『Page.6』

THIS STORY ABOUT A FAMILY WHILE YEARS OF THE LOST ELECTRIC ALL OF THEM.

THIS IS A SCIENTIFIC-FICTION DRAMA AND A COMEDY.

A STORY ABOUT A FAMILY MATTERS WHILE 2 YEARS AND SOME MONTH.

IT'S A STORY OF LARGE AREA'S BLACKOUT.  IT'S SO KNOCKOUT STORY FOR ANY PEOPLES IN PRESENT TIME.

AND IT'S DEEP IN THEIR LIFE-STYLE, IN THEIR HARTS. WHEN THEY SAY IT: "HARD TIMES COME AGAIN NO MORE".

THEY WERE STUDY HARD ONCE. AND THEY WERE WORK HARD WITHOUT ELECTRIC TOOLS ONCE.

AND NOW THEY HAVING IT SOME CONVENIENCE ELECTRIC TOOLS AND THEY USE IT IN EVERY DAY.  

THIS IS A DRAMA WITHIN THEIR DROLLERY, FOOLISH, SADNESS FOR THEIR LIFE -STYLE.

AND THEN THEY WILL KNOW IT OF AN "DISCOURTESY", "IMPORTANT" AND "PRECIOUS" FOR FOODS..

THEY WERE LOST THE FOOD ALL OF THEM. IT'S STARTED THEIR SURVIVAL LIFE.

SO ALL THE THINGS TO DO WITH ONLY THEIR KNOWLEDGE. IT'S ONLY THEM.

AND THEIR LEARN FROM NATURE GRADUALLY. AND GROWING UP AS LIKE AS PEOPLES IN THE ONCE UPON A TIME.

 IT'S TIMES JUST LIKE AS BEFORE THE HIGH TECH CITY AND THEIR LIFE.

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SO, WE'VE GOT A MONEY FOR LIVE TO LIFE BY EACH-WORKING IN PRESENT TIME.

AND WE'VE WANT TO SOME EVERY THINGS WHERE AT STORES FOR SELLING. 

IT'S PERFECT SYSTEM FOR THE CIRCLE OF LIFE UPON THE MODERN HUMAN'S LIFE.

MANY PEOPLES BUY SOME "FOODS" OR "FOODSTUFF" FOR EAT. AND REST FOODS WERE THROW AWAY INTO THE DUST-BOX.

EVERY COUNTRY HAVING EACH LIFE-STYLE WITH ORIGINALLY FOODS AND COOKS.

SO, THEY WERE KNOCK OUT BY THEIR EACH LIFE-STYLE. SO MANY STYLES IN JAPAN IN PRESENT TIME.

TOKYO-CITY PEOPLE'S WERE ALWAYS HAD TO THOUGHT IT "I'M ORDINARY JAPANESE".

BUT IT , THEIR WERE NOT IN ORDINARY AT THE OTHER COUNTRIES. JUST THE FOOLISH PEOPLES.

IT'S GOD'S DECISION TO MAKE BY THE EXPERIENCE MATTERS WILL MAKE THE MAN'S KNOWLEDGE FOR LIVE TO LIFE IN THE FUTURE.

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WHY STOPPED IN EVERY BATTERIES ?  THAT'S THE ANSWER WAS OUT AT THE LAST EPISODE.

JUST THE ONE WORD ONLY. WHY, WHY, WHY ? WE DON'T WANT TO KNOW AS LIKE AS THE HITCHKOCK ("THE BIRDS", etc.) FILMS.

IT'S JUST GOOD ON THIS FILM.  IT'S NOT IMPORTANT OF THIS STORY.

"IF WE STAY IN HERE MORE WEEKS, MAYBE PEOPLES WILL BE CRIME, IT'S THE DANGER CITY TO LIVE TO LIFE IN HERE."

"WE WILL GO NOW. WE WILL GO MOMMY'S COUNTRY OF KAGOSHIMA, KYUSYU."

AND THEN IT'S HANEDA-AIRPORT WAS CLOSED ALREADY. THE FAMILY WAY TO TOUMEI-HIGHWAY ROAD ONLY.

THE SURVIVAL FAMILY BOUND FOR HIGHWAY ENTRANCE. IT WAS ALREADY SO MANY PEOPLES THERE.

THIS FILM-SUBJECTS ARE :

"TO THANKS FOR FOODS", "WITCH THE TRADE WITHOUT MONEY OR ROLEX-WATCH",

"THERE'S LIFE WHEN THE ZERO POWER BATTERY OF SMART-PHONE",

"THE MATTERS WHERE TO MAKE A VIRTUE OF NECESSITY AS THE FAMILY AS THE CONVERSATIONS ONCE",

AND "JUST LITTLE CHANGE TO MAKE IT IN YOUR IMPORTANT RANK OF MATTERS WITCH THE FIRST,

SECOND, AND THIRD AT YOUR LIVE TO LIFE FOR SMART".  AND IT'S VERY GOOD ACTRESS MISS ERI FUKATSU AS MOMMY.

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THIS FILM HAVING SOME VERY SWEET OLD COLORS SCENE AS LIKE AS OLD JAPANESE COMEDY FILMS.

 AND ALSO AS LIKE AS OLD US-FILM OF "SOYLENT GREEN" A SCIENTIFIC-FICTION DRAMA.

ALL THE YOUNG PEOPLES HAVING A SMART-PHONE ON EACH HAND. BUT, THEY WILL CHANGE IT

WITCH IN THEIR LIFE-STYLE. TO EACH GREW UP. THEY'VE SOME INTEREST THINGS.

AND THEN THEY HAD A HOPE FOR THE FUTURE BY EACH SPECIAL GIFT WORK.

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DIRECTOR SHINOBU YAGUCHI AS A VERY GOOD COMEDY FILM MAKER AS LIKE AS OLD JAPANESE MASTER DIRECTORS.

SO THIS FILM WAS SO DEEP IN MY HEART. AND VERY LAUGHTER. AND SOON WE'LL BE WANT TO WATCH IT AGAIN.

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−＊−＊−＊−＊−＊−

編集長 SEIJI IWAI

ALL RIGHTS RESERVED BY  CINEMA EGG

SINCE 2003

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