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観終えて過去の名監督が浮かんだ。チャン・イーモウ、フェデリコ・フェリーニ、イングマル・ベルイマン、そしてルネ・クレマン。

主題的にはフェリーニ、ベルイマン的作風に仕上げられている。そこに是枝監督のテイストが深く描かれている。

少年はチャン・イーモウ『あの子を探して』の動きと心情。少女はルネ・クレマン『禁じられた遊び』の動きと心情。ここに現代の闇の生活感が附帯。

風俗嬢の虚無とそこから生まれる人恋しさ。年金受給者のお金で生活する居候たち。万引き手順を仕込んで行く大人の心情。

どうして家族として「繋がり」が出来ているのか。「皆、本当の家族のかたち」に成立しているのだ。

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「お金」「愛情」「心」「趣味」「SEX」「さみしさ」其々がこの中の一つで繋がっている。不完全な「繋がり」で一つの家族として成立しているのだ。

とても生々しく生活感が描かれている。汗、涙、エロス、おもらし、だるさ、楽しさ。

ラストシーンは、ゆりのクローズアップ・スキット。虐待若夫婦から救出してもらい、貧しき大家族へ、そして本当のゆりの家庭に戻って共働き鍵っ子。

アパートの玄関前ひとり遊び。後の会話で子供達と接する「あの時私を置いて行くつもりだったの?」と。

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フランスの人達はやはりルネ・クレマン監督『禁じられた遊び』の子供達とダブって観ていたのではないかな、と思った。

「結婚生活」の為に必要なのは何なのか、考えた最初の事柄は、負債の有無。そして収入、高齢化社会の為の年金。そう地固めが必要と。

これらの「条件が揃う」には今は超高額なので「年齢が」40代50代。遊ばず35過ぎ。きれいなお金なら。家も車も完済が安定の条件。

そうでないと、「退職金がローン支払いの為」と成り、年金が足りない事態に、今急増している「高齢破綻」と成るからだ。

貴方がもし好きな人が出来てカードローンでカップルに成っても「結婚生活」は直ぐ破綻してしまう。そう考えると此の「万引き家族」は特別じゃない。

そして来月の推薦作は●

■第171回シネマエッグ推薦作　　劇場版 コード・ブルー　-ドクターヘリ緊急救命-  ７／２７（金）〜   ♪サントラMP3 『Page.8』

■予告篇■ https://youtu.be/jxksse-39KM

お楽しみに!!

●♪●

＊すみや渋谷店・サントラリスト・オマージュ企画!!、サントラ盤は、広音域のパソコンＭＰ３収集へ！＊

"CINEMA EGG RECOMMEND NEWLY FILM REVIEW : NO.170"

I'VE SOME MAURICE RENOMA'S SUIT , I LIKE IT ALL THEM. SO STYLISH. SO SMOOTH. I LIKE FRANCE.

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■ 2018 THE WINNER OF "FESTIVAL DE CANNE" THE BEST PICTURE (2018.MAY.19) ■

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THIS STORY'S OUTLINES WHAT ABOUT THIS.

(1) THE EXTREME FAMILY MEMBERS ON A HOUSE.

(2) YURI'S YOUNG MOM AND YOUNG DAD.

(3) THE MATTER OF EACH FAMILY MEMBERS.

(4) THE DEATH OF A GROUND MOTHER.

(5) EVERYTHING'S FLASH OUT ON BROADCAST.

(6) AFTER THE NEWS OF FACTS.

(7) THE RETURNED TO EACH REAL FAMILY

(8) THE LAST SUBJECT BY DIRECTOR KOREEDA.

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I WAS REMEMBERED SOME DIRECTOR'S NAME WHEN THE FILM END CREDITS RUNNING. WHO WAS ZHAN YIMOU, FEDERICOFELLINI,

INGMAR BERGMAN AND RENE CLEMENT.

IT'S SUBJECT OF THIS FILM AS LIKE AS A FILM OF FELLINI, BERGMAN. AND DIRECTOR KOREEEDA'S SOUL INTO THIS FILM,

SO DEEPLY FOR A FAMILY.

THE BOY'S MENTALITY ACT WAS LIKE AS A BOY OF A FILM "NOT ONE LESS (1999)" BY ZHAN YIMOU.

THE GIRL'S MENTALITY ACT WAS LIKE AS A GIRL OF A FILM "JEUX INTERDITS (1952)" BY RENE CLEMENT.

WITH SOME EPISODES OF THE DARK LIFE FROM THE NEWS ON PRESENT TIME.

THE SEX SHOP GIRL OF THE FAMILY WHO HAS A VANITY MENTALITY. ONE DAY SHE IS FALL IN LOVE WITH A BOY IN THE SEX SHOP.

BUT SHE'S LOVE WHERE ONLY IN THE SEX SHOP BY THE RULE. SHE'S LOVE WAS NOT INFINITY. SHE IS LOOKING FOR SOMEONE'S LOVE.

THIS FAMILY LIVING WITH A GROUND MOTHER AS A PENSIONER,  IT'S FAMILY MAKES THEIR LIVING BY HER MONEY SO ALMOST KEEP IT THEM.

NO ONE HAD THE SAME BLOOD LINES.

THEIR GROWN UP PERSONS IS TEACH A BOOK OF SHOPLIFTER TO CHILDREN. THEIR MENTALITY IS ONE WORD.

TO SAID IT "ALL FOR THE LIVING US". "THERE'S ARTICLES ARE NO ONE'S NOW".

HOW DO THEY WHO WERE UNITED THE FAMILY MEMBERS FOR NOW ? 

IT'S SO REAL FAMILY MEMBERS BY EYES OF ANOTHER PERSONS. WHY ?

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BECAUSE THE ANSWER WAS "A MONEY" OR "LOVE" OR "SOUL" OR "INTEREST" OR "SEX" OR "SILLY".

IT'S ONLY ONE REASON. JUST A JOINT TO A FAMILY ON THE HOUSE.

IT'S NOT PERFECT REASON JUST ONLY ONE. BUT IT LOOKS LIKE A REAL FAMILY MEMBERS.

IT'S SO REALISM. IT'S SO REAL BREATH. THE ACTS WITHIN SWEAT, TEARS, EROS, WET, LANGUOR, JOY.

THE LAST SKIT WAS YURI'S CLOSE UP. SHE'S SOMEONE'S LOOKING SKIT.

ESCAPE FROM APARTMENT WITH DOMESTIC VIOLENCE DAD. AND THEN SHE WAS JOIN THE SHOPLIFTER'S FAMILY HOUSE.

BUT SHE WAS RETURNED IN HER NEW APARTMENT AT LAST EPISODE. BUT SHE HAS NO FRIENDS. SHE'S ONLY ONESELF.

SHE'S A HOUSE KEEPER OF HER HOUSE. NO ONE LIVING AT DAY TIME. IT'S WORK OUT TIME.

SHE'S ALWAYS PLAYING IN FRONT OF HER APARTMENT DOOR. SOME DAYS AFTER. "I REMEMBER THE DAY. DON'T YOU LEAVE ME ALONE ?"

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I FELT THIS FILM WHEN THE END TITLE RUNNING WHAT WAS A FILM "JEUX INTERDITS (1952)" BY RENE CLEMENT.

IT'S A GIRL ! IT'S THE SAME FEEL IN FRENCH PEOPLE.  IT'S ALREADY, NOW AND THEN.

WELL, WHAT'S THE NEEDS FOR WEDDING LIFE ? IT'S FIRSTLY THING IS GOOD CONDITION OF ECONOMY WITHOUT LARGE DEBT.

AND THEN, IT'S GOOD SALARY AND PENSION PLAN. THERE'S THINGS ARE VERY IMPORTANT.

THERE'S TERMS ARE EVERYBODY'S WANT FOR GOOD MARRIAGEABLE PERSON. MAYBE AGED 40 MORE UP TO 50 MORE UP AGED.

MOST YOUNGER AGED 35 MORE UP. THERE'S CHECK FOR ONLY CLEAN MONEY. THERE'S NO CRIME AND LITTLE RICH PERSONS.

AND IT'S EASY COST FOR HOME AND CARS. NEVER PAY FOR HIGH COST HOME AND CARS.

BECAUSE IT'S ALMOST LOST YOUR PAYOFF AND PROVIDENT FUND MONEY.

AND IT'S FAILED OF ADVANCED AGE BY LEAPS AND BOUNDS IN JAPAN NOW.

NEVER YOU'LL GET "THE MONEY-LOAN CARDS" WHEN IF YOU YOUNGER AGE AND YOU FALL IN LOVE WITH SOMEONE.

IT'S YOUR FUTURE FAMILY AS THIS "SHOPLIFTER" FAMILY. YOU'RE NOT ORDINARY.

SO YOUR DECISION TO MAKE YOUR FUTURE. EVERYONE'S LIFE HAVING THE SOME WAYS WITCH AS A RICH AND A POOR.

THIS FAMILY OF SHOPLIFTERS ARE LIVING IN A HOUSE AND THEN GET SOME JOB, BUT LESS THAN FOR LIVING IN ORDINARY PEOPLES.

THEY GOT MORE JOB TO BE SHOPLIFTERS AT LAST. BY A SHOPPING LIST OF THE DAY.

ONE DAY THEY WERE ARRESTMENT & UP CLOSE ON BROADCAST. THEY WERE RETURNED TO EACH HOUSE.

BUT EACH PERSON'S LIFE WERE SO VANITY.

A LITTLE GIRL LOOKING FOR SOMEONE IN FRONT OF HER APARTMENT DOOR.

MOM AND DAD WERE WENT OUT FOR JOB. SHE IS ALONE IN THERE. AND NO FRIENDS.

I'LL REMEMBER THE GIRL OF A FRENCH FILM "JEUX INTERDITS (1952)" BY RENE CLEMENT.

THE LAST SKIT AT THE STATION. SO MOVED DEEPLY.

I THOUGHT MAYBE IF AS SAME FELT THE PERSONS AT CANNES.

THIS FAMILY OF SHOPLIFTER IS FAILED-FAMILY ALREADY IN THE NATION.

BUT WORK HARD IN THE NATION.

THERE'S THE FOCUS VIEWPOINTS OF THIS FILM BY DIRECTOR KOREEDA.

IT'S ABSURDITY EMOTIONS WHAT'S THE MATTERS IN RECENT YEARS.

PLEASE SHOW THIS FILM AT THEATRE NEAR YOU !

(SEIJI IWAI (TRANSLATOR) : DIRECTOR OF CINEMA EGG.)